Behind the Scenes of Good Grief: Bringing Humor and Heart to the Festival Circuit

In the world of independent filmmaking, certain projects take on a life of their own, growing from deeply personal roots into something that resonates universally. My feature film, Good Grief, is one of those projects. This poignant dramedy, inspired by the complex and often bittersweet journey of loss, is now being submitted to festivals—and the excitement and anticipation are palpable.

A Story Rooted in Reality

Good Grief began as a way to process my own experience following the death of my mother. Grief, as I discovered, is anything but linear. It’s awkward, messy, and, surprisingly, full of moments that are deeply funny. These moments of humor—sometimes irreverent, sometimes quietly absurd—became the heart of the story.

At its core, Good Grief is about connection. It’s a film that explores how people navigate loss, not in isolation, but through the relationships that tether us to the world, even when everything feels like it’s spinning out of control.

The Journey to the Big Screen

As with all indie films, getting Good Grief from script to screen was no small feat. With a dedicated cast and crew, a production budget that relied more on ingenuity than excess, and countless late nights, we created something I’m immensely proud of. The process wasn’t without its challenges, but every obstacle reinforced the story’s central theme: finding meaning and beauty in life’s most difficult moments.

Humor as Healing

One of the elements that sets Good Grief apart is its ability to balance humor and heartache. Laughter, I believe, is a natural part of healing. The film doesn’t shy away from the raw, painful realities of grief, but it also embraces the ridiculousness of real life. Whether it’s an inappropriate laugh at a funeral or a well-meaning but hilariously misguided friend offering “helpful” advice, these moments give the audience permission to feel everything—the good, the bad, and the in-between.

The Road Ahead

As Good Grief enters the festival circuit, I’m both excited and nervous. Film festivals are such a vital platform for independent stories, offering a chance to connect with audiences and industry professionals alike. With every submission, I think about the people who might see the film and feel a little less alone in their own experiences with grief.

More than anything, I hope Good Grief reminds viewers that it’s okay to laugh, cry, and feel everything all at once. Life is messy, but there’s beauty in the mess—and sometimes, a good laugh is the best medicine.

To those who’ve supported this film from the very beginning: thank you. Your belief in this project has been the fuel that kept it moving forward. And to those who may discover Good Grief in the months to come, I can’t wait for you to meet these characters and join us on this heartfelt journey.

Stay tuned for updates on screenings, festival announcements, and behind-the-scenes moments as we continue to share Good Grief with the world. Let’s laugh, cry, and grieve together—because in the end, that’s what makes us human.

With gratitude,

Emily